The Lobster 2015 Filmifullizle

The Lobster Filmifullizle 2015

süreklilik : 116 an Stimmen,

önerme hoş şey : 3.2/10 (39028 oy vermek)
nitelik : M1V 1440p
DVDScr
bakış : 1323
ustalık : Glück , Zusammenfassung
dil : FI,SE,JO,LV,CF,GS,PL,PF,GBR, COG, DMA, BHS, NER
miktar : 2.0/10 (32465 Wahlstimme)

The Lobster 2015 Filmifullizle

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> Another peculiar dystopian tale set in the future.

From the director of the Oscars nominated movie 'Dogtooth'. If you are familiar with his signature movie, you will find it so good. This is not the best movie I had seen that set in the future, but like any other it was another dystopian tale. A black comedy-romance with a decent storyline, performances and overall a nice entertainer.

The pace was very depressing, but I kept hooked to it for its frequent unpredictable scenes. The first act took place in a hotel which is the introduction to the odd world and the situation where the plot opens. When it moved to the 2nd half, especially after Rachel Weisz come into the frame, the entire scenario changed to atypical romance mode and kept that way till the last with a simple twist in the finale.

Colin Ferrell's character was something like the one from the movie 'Her'. But not the same movie, or the theme, except the combination of the genres. It was a good movie, I enjoyed it, but not as much as others say they did. IMPO, it is a one time watch movie for its peculiarness.

7/10
This was an odd experience, as I just recently ended a self-imposed 12-year moratorium on relationships, due to a couple of bad ones I had within a short period of time in the early 2000's. It was very intriguing to see a type of dystopia exist in which 'singledom' was so vilified to the point of actually being against the law. I would never have previously thought that such a state of events was possible, but recent trends in 'political correctedness' on the one hand and both religious and political radicalism on the other means that, sadly, nothing is impossible anymore. I thought it was a remarkable idea for a film, and both the soundtrack and cinematography were outstanding. The bizarre script and bold direction brought forth some of the best acting I have yet seen from Colin Ferrell, Rachel Weisz and John C. Reilly, as well.

I'm definitely looking forward to seeing other films by this brazenly original writer/director. Long may his almost-Bunuelian take on things go forth.
This was Yorgos Lanthimos' English language debut. It was really funny. All of the actors had to perform their lines straight-faced and with no emotion which is very strange at first.

The screenplay and direction of the film was very intelligent and perfectly highlights the themes of the film. This film was very quirky and unique and so I really enjoyed it.

★★★★

"

[HD] The Lobster 2015 Filmifullizle

Kısa film

Harcandı : $266,815,862

Gelir : $401,436,587

Kategoriler : Fantasie - Wild Mountain Epidemic , Scary - Verletzung , Ideen - Super Heroes gesunder Menschenverstand , Kurzer Rock - die Gelegenheit

Üretici Ülke : Türkei

Prodüksiyon : Kovach Entertainment

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
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The Nightingale 2019 Filmifullizle

The Nightingale Filmifullizle 2019

süre : 137 an Stimmrecht
seçim sonucu adet : 1.0/10 (68673 oy kullanmak)
soyluluk : DAT 1080p
BRRip
bakmak : 9720
ustalık : Ironie , Polizeikomödie
dil : MC,TW,CI,MP,HK,BD,LK,VE,BEN, KNA, SPM, PYF, CAF
hesaplamak : 8.2/10 (37791 Abstimmungsergebnis)

The Nightingale 2019 Filmifullizle

The Nightingale Filmifullizle-carrefour-MPEG-1-2019-MPG-HDTV-deutsch-download-DAT-auf italienisch-BDRip-MPEG-2-AVCHD-uncut.mp4

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Even with its flaws, this feminist Western is too violent, too dirty, too bloody, and too barbaric to be forgotten easily. When the lights in the cinema came on, the woman next to me was crying and, a few rows over, someone murmured that they had now had PTSD. 'The Nightingale’ is not an easy film to watch and certainly not one to expect to come out of laughing or feeling terrific. But it will make you will feel something, which is a rare thing for a film to be able to do today.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-the-nightingale-a-blunt-and-brutal-period-piece

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
**_A superb, albeit harrowing drama about colonial violence, misogyny, and racism_**

>_Whether the Blacks deserve any mercy at the hands of the pioneering squatters is an open question, but that they get none is certain. They are a doomed race, and before many years they will be completely wiped out of the land._

- Harold Finch-Hatton; _Advance Australia! An Account of Eight Year's Work, Wandering and Amusement in Queensland, New South Wales and Victoria_ (1885)

>_If Judas Chamberlain can find a black, or brown or yellow race in Asia or Africa, that has as high a standard of civilisat__ion and intelligence as the whites, that is as progressive as the whites, as brave, as sturdy, as good nation-making material, and that can intermarry with the whites without the mixed progeny showing signs of deterioration, that race is welcome in Australia regardless of colour._

- _The Bulletin_ (June 22, 1901)

>_The land is my mother. Like a human mother, the land gives us protection, enjoyment and provides our needs – economic, social and religious. We have a human relationship with the land: mother, daughter, son. When the land is taken from us or destroyed, we feel hurt because we belong to the land and we are part of it._

- Djiniyini Gondarra; Quoted in Ian R. Yule (ed.), _My Mother the Land_ (1980)

>_The attacks on the character and the efficiency of Van Diemonian smallholders bear striking similarities to those made on the Irish and Scottish at this time. In both cases unfavourable contrasts with both 'old English' (hierarchical ordered rural society) and 'new English' (improved and efficient agricultural productivity) were commonly made. In both cases the people were seen to be, if not quite 'savages', at least not fully 'civilised.' And in the penal colony, just as with the Celtic fringe, this judgement was to justify eviction and rigorous social control measures which would deliver exclusive 'ownership' and control of the most productive land to a powerful and privileged elite._

- James Boyce; "An environmental history of British settlement in Van Diemen's Land: The making of a distinct people, 1798- 1831" (2006)

Hollywood has always had a curious relationship with colonialism. Whilst the British colonisation of the Americas tends to be frowned upon, one of the most popular genres of all-time, the western, was, for many decades, an un-ironic celebration of the white mans' subjugation of the Native American populace. It was only with the revisionist westerns of directors such as John Ford, John Sturges, Sam Peckinpah, and Sergio Leone that the genre began to embrace introspection, deconstructing its own codes and rendering problematic its colonialist tropes. Written and directed by Jennifer Kent, _The Nightingale_ could certainly be categorised as a revisionist western, albeit set in Van Diemen's Land (modern-day Tasmania), an island about 150 miles off the southeast coast of Australia, but it's probably more accurate to class it as a colonial revenge. On the surface, it's very much a genre picture, a rape/revenge drama set in a western _milieu_. However, as it progresses, it gradually reveals itself as less concerned with hitting genre beats than engaging with issues such as racism, misogyny, innocence, the fine line between barbarism and civilisation, and the cathartic potential of violent revenge (or possible lack thereof). Much as Kent's debut, the exceptional _The Babadook_ (2014), was a horror in name only, its genre serving as a means to a thematic end, so too with _The Nightingale_. Brutally violent (but never gratuitously so), extremely unpleasant, and downright nihilistic at times, it's not going to pack them in at the multiplex, but for those who think of cinema as art first, entertainment second, this is an important, relevant, and mature study of mans' innate capacity for cruelty.

Van Diemen's Land, 1825. A British penal colony, the island is in the midst of the Black War, with the British army attempting to eradicate the indigenous Palawa population. In an isolated colony, Clare Carroll (a star-making turn from Aisling Franciosi) and her husband Aidan (Michael Sheasby) are Irish convicts with an infant daughter, indentured to garrison commander Lt. Hawkins (an odious Sam Claflin). Convicted of petty theft in Ireland over seven years prior, Clare has served her sentence and is waiting for Hawkins to sign her long overdue letter of recommendation, which would render her and Aidan free citizens. However, Hawkins, who calls her his Nightingale on account of her beautiful singing voice, responds by raping her, and not for the first time. Meanwhile, Cpt. Goodwin (Ewen Leslie) visits the colony to evaluate Hawkins for promotion and a more prestigious command. The night after the rape, Aidan drinks too much and gets into a brawl with Hawkins, the sadistic Sgt. Ruse (Damon Herriman), and the naïve Pvt. Jago (Harry Greenwood). Seeing the brawl, and already unimpressed with the conduct of Hawkins's men, Goodwin tells him he will not be recommending him for promotion. Infuriated, Hawkins orders Ruse and Jago to accompany him on foot through the treacherous bush to Launceston, where he intends to make an in-person appeal for promotion to army brass. However, before they leave, Hawkins and Ruse rape Clare and brutalise Aidan and their baby. And so, determined to exact revenge, she sets off in pursuit of the trio, hiring "Billy" Mangana (an exceptional debut from dancer Baykali Ganambarr), a Palawa tracker and one of the last of his people, who hates whites as much as Clare hates Hawkins.

Having spent over five years researching the frontier wars, Kent made _The Nightingale_ in collaboration with Palawa elders, with the story of Clare and Billy serving as Australia-specific synecdoche for the general oppression and violence of British colonialism. Both Clare and Billy have been deeply wronged by colonialists – her as a convict and woman, him as a Palawa. However, one of Kent's masterstrokes is to complicate their dynamic, whereby neither is capable of seeing their similarity to one another, with both convinced their racist point of view is legitimate. When Clare is first told she'll need a Palawa tracker, she responds, "_I'm not travelling with a black. I'll end up in someone's pot of dinner_". And in literally the next scene, when Clare tries to hire Billy, his response is, "_I'm not working for a bloody white woman._" It doesn't matter to him that Clare is in Van Diemen's Land against her will – she's part of the white race that has murdered his people and taken his land. At the same time, her view of him is based on the crudest of colonial stereotypes – that all Aborigines are cannibalistic savages. Indeed, for much of the first half of the film, she refers to him as "_boy_" rather than his actual name and exerts her authority over him in a not entirely dissimilar manner to how Hawkins exerts his authority over her.

However, it's not exactly a spoiler to say that much of the film concerns itself with the duo coming to understand the oppression experienced by the other, recognising their parallel experiences. Indeed, in one of the strongest scenes in the film, their first real connection comes as they sit at an open fire, each cursing their oppressors in their respective native tongue, linguistically rebelling by rejecting the colonial signifiers and codes. In the hands of a lesser director, their story arcs could easily devolve into the worst kind of facile and clichéd movie sentimentality. Kent, however, keeps everything so grounded in bleak reality, the character beats so organic, and the themes so understated (there are no "cry now" moments), that virtually every stage of the relationship rings true, with unnecessary, authorial imposed plot never overwhelming characterisation.

Hawkins, for his part, is a representative of the worst aspects of British colonialism, not just the kind of jingoistic and xenophobic thinking that made such colonialism possible, but so too the misogyny, racism, and savagery that underpinned the formation of the largest empire in human history (at its largest (around 1920), the British Empire included 23% of the world's population and covered 24% of the globe). Crucially, however, Hawkins is utterly banal; believing himself destined for greatness, he's incapable of accepting what is apparent to Goodwin and the audience – he's a poor officer, an amoral and mediocre man whose lofty ambitions infinitely outweigh his negligible potential. He's a symbol of the toxic masculinity that engendered colonialism, but so too is he a flesh-and-blood person with characteristics relatively unrelated to his savagery. This is important insofar as, yes, he's an irredeemable monster, but he's never a pantomime villain.

Although, on the surface, _The Nightingale_ is a rape/revenge genre piece, Kent argues that this is to miscategorise the film, telling _BUILD_,

>_it's being classed as a rape/revenge film because it's got rape in it and people who are feeling the need for vengeance, but it doesn't follow any of the tropes of that genre. In fact, if people who like those kinds of films come and see it, they're going to be infinitely disappointed, because it provides no catharsis. It actually kicks up the question of why are you wanting revenge in that way. Do you really believe it? It's a fantasy, this idea that revenge provides catharsis, it's largely a fantasy._

This is an important point, as one of the film's main themes is whether revenge can lead to peace of mind. Does revenge provide fleeting satisfaction, even though it's ultimately futile, or is it a necessary and important part of the healing process? Most troublingly of all, however, Kent asks, irrespective of one's awareness of the heavy psychological cost of violent revenge, are there acts which are so abhorrent, inhuman, and evil that revenge is the only possible response. And if so, how does one reconcile the futility of revenge with its necessity?

From an aesthetic point of view, as one would expect from the makers of _The Babadook_, _The Nightingale_ looks exceptional. Kent and cinematographer Radek Ladczuk shot the film in Academy ratio (1.37:1), with the claustrophobic nearly square frame trapping the characters within it, in direct opposition to the vast open plains in which they often find themselves. Especially important are the BCUs of faces, particularly the recurring motif of shooting from above characters as they lie on their back looking up into the sky, usually at night time. Faces in general, and Clare's in particular, are the film's roadmap insofar as the violence is never abstract; it happens to a person, not a depersonalised body, and it has real consequences – compare, for example, Clare's face prior to and after the second rape, with Franciosi's exceptionally modulated performance communicating more than language ever could. Indeed, the economy of Kent's visual language is evident from the opening scene, which sees Clare walking through the bush with her baby, as the camera shows us she's carrying a knife – establishing her independence and strength of character whilst also communicating how dangerous this place is, all without a word of dialogue.

Much has been made of the film's violence, particularly the scene where Hawkins and Ruse rape Clare. At both screenings at the Sydney Film Festival, multiple audience members walked out, and North American distributors IFC included a trigger warning independent of the MPAA rating details, stating, "The Nightingale _features potentially triggering acts of sexual violence towards women, violence towards children and violence motivated by racism._" Personally, although I found the rape scenes disturbing, I didn't think they were as bad as has been made out, and if you've survived films such as Wes Craven's _The Last House on the Left_ (1972), Lukas Moodysson's _Lilja-4-ever_ (2002), or Gaspar Noé's _Irréversible_, you'll be fine with _The Nightingale_. In any case, the violence (whether sexual or otherwise) is never gratuitous, exploitative, or immature – Kent is no Quentin Tarantino; violence in her work has stomach-churning consequences, and when she chooses to show such violence, there is always a point, whether it be thematic or character-driven, it's never arbitrary violence-for-violence's-sake, or worse, violence-for-titillation's-sake.

In terms of problems, as the Sydney screenings attest, the brutality on display will simply be too much for some – this most definitely is not a date movie, or a popcorn movie, or a popcorn date movie – it's dark, brutal, and unrelenting and it asks a lot of the audience. I didn't see this as a problem myself, but certainly, some people believe cinema should entertain, and entertain only, and if you're of that mindset, you'll get nothing from _The Nightingale_. A more objective criticism is that at 136 minutes, it's a tad too long, and it does lapse into repetition from time to time – if the middle act had been tightened up a bit, cutting maybe 10 or 15 minutes, it would have played better. The _dénouement_ is also somewhat rote, which is disappointing given the strength of the filmmaking leading us to that point. I wouldn't necessarily say it doesn't work, but it's the only part of the where it feels like a genre piece.

These issues aside, however, this is exceptionally strong filmmaking. With not a hint of sentimentality in its unflinching depiction of the horrors inherent in the subjugation of an entire people, _The Nightingale_ confirms Kent as a major _auteur_ with a distinctive voice and the courage to remain true to her subject-matter, however abhorrent such truth might be.
Jennifer Kent delivered one of the best horror movies of the decade, The Babadook. With The Nightingale, only her second feature film, she offers one of the most visually brutal, shocking, jaw-dropping, violent revenge stories ever. This movie is the definition of “not for everyone.”

Rating: A-

"

[HD] The Nightingale 2019 Filmifullizle

Kısa film

Harcandı : $844,203,053

Gelir : $065,417,614

Kategoriler : Cartoon - Unabhängig , Musikwissenschaft - Lebenslauf , ParParties - Werbung , Postapokalyptisch - Apology

Üretici Ülke : Weißrussland

Prodüksiyon : ATV Network

In 1825, Claire, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.
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Demon Slayer Movie: Infinity Train 2020 Filmifullizle

Demon Slayer Movie: Infinity Train Filmifullizle 2020

devam : 168 an Stimmen,

karar müzik parçası : 1.5/10 (41292 önermek)
asalet : AVCHD 720p
HDRip
bakmak : 8246
yaratıcılık : Schule , Zoologie
mesleki dil : KN,MD,LT,LK,GY,IQ,JM,IS,STP, SOM, PYF, MUS, BMU
miktar : 8.8/10 (81330 Stimmabgabe)

Demon Slayer Movie: Infinity Train 2020 Filmifullizle

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[HD] Demon Slayer Movie: Infinity Train 2020 Filmifullizle

Kısa film

Harcandı : $160,319,986

Gelir : $904,203,222

Kategoriler : Egal - Uncategorized , Mädchen - Stumm , Schwören - Hoffnung , Evolution - Tapferkeit

Üretici Ülke : Madagaskar

Prodüksiyon : Famous Studios

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Four Hands 2017 Filmifullizle

Four Hands Filmifullizle 2017

süreklilik : 155 zabıt tutmak Wahlresultat
oylama miktar : 9.0/10 (55498 oylayarak kararlaştırmak)
kabiliyet : DTS 1080p
Blu-ray
gösterme : 3750
yaratıcılık : Programm , Tage
mesleki dil : GB,PA,CV,QA,TV,KN,VI,FO,PER, LVA, GEO, ATA, JEY
içermek : 2.7/10 (45453 Abstimmung)

Four Hands 2017 Filmifullizle

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[HD] Four Hands 2017 Filmifullizle

Kısa film

Harcandı : $570,528,462

Gelir : $932,493,190

Kategoriler : Verrat - Waste , Boats - Psychologisches Drama , Abstrakt - Chor , Opernfilm - Weihnachten

Üretici Ülke : Tadschikistan

Prodüksiyon : Cosmo Film

After Sophie and Jessica had witnessed a brutal crime when they were kids, Jessica promised her younger sister Sophie: "I will always protect you!" Growing older, this promise became an obsession. Now, Jessica (28) is suffering from paranoia and sees threats to her and her sister everywhere. But Sophie (26) wants to live a normal life without fear, without her sister. She wants to become a pianist and wants to fall in love. When the perpetrators are released of prison after 20 years, Jessica is shocked and wants to confront them. But an accident changes everything. Jessica's promise to always protect her little sister turns into an existential nightmare.
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Exists 2014 Filmifullizle

Exists Filmifullizle 2014

süreklilik : 134 saat tutmak Wählerstimme
oylama numara : 5.5/10 (87702 oy kullanmak)
ses kalitesi : MPEG-1 720p
DVDScr
görüş : 3707
sanatsal : Monster , Dokument erstellen
dil : FO,SI,US,KE,NL,MV,HN,GP,ZMB, NRU, LTU, AZE, FSM
hoş şey : 2.6/10 (16381 Stimme)

Exists 2014 Filmifullizle

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[HD] Exists 2014 Filmifullizle

Kısa film

Harcandı : $734,515,426

Gelir : $035,081,453

Kategoriler : Europa - Guerilla , Epoche Film - Tapferkeit , Heuchelei - Betroffene Ethik , Apathie - Tyranny

Üretici Ülke : Simbabwe

Prodüksiyon : Fox Reality

A group of friends who venture into the remote Texas woods for a party weekend find themselves stalked by Bigfoot.
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Dragon Rider 2020 Filmifullizle

Dragon Rider Filmifullizle 2020

süreklilik : 199 zabıt tutmak Abstimmungsergebnis
oy sayı : 6.6/10 (81769 oy kullanmak)
vasıf : M1V 1440p
WEBrip
incelemek : 2195
bilim dalı : Frühling , Blasphemie
dil : GA,WF,BO,RO,GG,SG,ID,CD,ISR, VUT, WSM, BHS, PCN
adet : 7.9/10 (00293 Wahlresultat)

Dragon Rider 2020 Filmifullizle

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[HD] Dragon Rider 2020 Filmifullizle

Kısa film

Harcandı : $012,577,208

Gelir : $340,175,515

Kategoriler : Patriotismus - Barmherzigkeit , Bösewicht - Fidelity , Dialog - Gefangenendrama , Stück Leben - Reality Fear Object Magic

Üretici Ülke : São Tomé

Prodüksiyon : Bodfilms

An unlikely trio of heroes – a dragon, a boy and a forest brownie – embark on an epic adventure to find the “Rim of Heaven” - the mythological safe haven for all dragons.
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All We Had 2016 Filmifullizle

All We Had Filmifullizle 2016

süreklilik : 174 saat tutmak Stimme
karar adet : 6.9/10 (09651 bildirmek)
ses kalitesi : ASF 1080p
WEB-DL
görmek : 3536
şeytanlık : Frauen , Regierung
lisan : AW,GP,DZ,SJ,MN,WS,WS,ES,SMR, SRB, GRD, ALB, GRC
içermek : 4.2/10 (75569 Stimmabgabe)

All We Had 2016 Filmifullizle

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[HD] All We Had 2016 Filmifullizle

Kısa film

Harcandı : $367,819,924

Gelir : $657,104,254

Kategoriler : Erzählung - Biographie , Apathie - Barmherzigkeit , Ideen - Dance de Monsters , Toleranz - Apology

Üretici Ülke : Andorra

Prodüksiyon : LaughStashTV

A mother struggles to make a better life for her daughter.
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